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You’ll see the backlighting come up quite a bit in the film. Photographically, we kept them rather colorless.” – Jordan Cronenweth (ASC, Mar 1999) It was like going in circles- like going nowhere. They were all the same in the sense that they were all part of the flow.
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So we made them appear like ants - all the same. We had street scenes just packed with people. The streets were depicted as terribly overcrowded, giving the audience a future time-frame to relate to. “We used contrast, backlight, smoke, rain and lightning to give the film its personality and moods. That’s something black-and-white cinematography is well recognized for, and that’s something intentionally brought over to this film by Jeff Cronenweth and implemented into color. So when you watch Blade Runner, you’ll notice how it utilizes strong backlighting and light shafts. Blade Runner was a noir and just as the film took its cues from classic noir narratives in Hollywood cinema, so did the ways in how it was filmed.ĭirector Ridley Scott wanted the film to mimic the cinematography of the 1937 classic Citizen Kane. It’s not a Star Wars by any stretch of the imagination at all. That’s because Blade Runner isn’t just a science fiction film. It’s needless as well to say that this film’s cinematography influenced not only science fiction films, but movies of all genres up to today. In 1993, Blade Runner was even chosen for preservation in the United States National Film Registry by the Library of Congress. Its cinematography is now considered a milestone in the progression of film, winning awards from the British Society of Cinematographers, the Los Angeles Film Critics Association, and BAFTA.
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Use the drop-down menus at the top of each page to see the other categories.This is a film that I consider to be in my all-time favorites list. And be sure to see how our experts rank Oscar contenders in the other top races. However, he was also nominated that year for “The Assassination of Jesse James by the Coward Robert Ford.” The Oscar went to Robert Elswit (“There Will Be Blood”) who had lost to Deakins at the BAFTAs.ĭISCUSS All the Oscar contenders with Hollywood insiders in our notorious forumsĬheck out the Best Cinematography Oscar predictions by expert as well as the most up-to-date odds for each of the contenders to win. Seven otehr times he was edged out by the lensers of Best Picture nominees: “O Brother, Where Art Thou?” lost to “Crouching Tiger, Hidden Dragon” (2000) “The Man Who Wasn’t There” was edged out by “The Lord of the Rings: The Fellowship of the Ring” (2001) “The Assassination of Jesse James by the Coward Robert Ford” was bested by “There Will Be Blood” (2007) “True Grit” was pipped by “Inception” (2010) “Skyfall” was edged out by the technically impressive “Life of Pi” (2012) “Prisoners” was defeated by “Gravity” (2013) and “Sicario” was bested by “The Revenant” (2015).ĭeakins did contend for his work on the 2007 Best Picture winner “No Country for Old Men” (2007). Indeed, Deakins was bested in four of his previous races by the cinematographers of the Best Picture winner: for “Fargo” he lost to “The English Patient” (1996) “Kundun” was edged out by “Titanic” (1997), “The Reader” was defeated by “Slumdog Millionaire” (2008) and “Unbroken” lost to “Birdman” (2014).